Red Wedgy

24 06 2017

 

 

Walls Come Tumbling Down by Daniel Rachel

 

Walls Come Tumbling Down charts the pivotal period between 1976 and 1992 that saw politics and pop music come together for the first time in Britain’s musical history; musicians and their fans suddenly became instigators of social change, and ‘the political persuasion of musicians was as important as the songs they sang’. Through the voices of campaigners, musicians, artists and politicians, Daniel Rachel follows the rise and fall of three key movements of the time: Rock Against Racism, 2 Tone, and Red Wedge, revealing how they all shaped, and were shaped by, the music of a generation.

Composed of interviews with over a hundred and fifty of the key players at the time, Walls Come Tumbling Down is a fascinating, polyphonic and authoritative account of those crucial sixteen years in Britain’s history.

 

 

Pop, politics and nostalgia collide in this rather unusual book which documents the development and disintegration of three big musical and political movements of the 70s and 80s. Commendably, the author has recorded and combined a series of first person accounts from all those who were there at the time (apart, I think, from Paul Weller who is represented by quotes from back in the day) and through these stories we learn about the remarkable force of Rock Against Racism, 2 Tone and Red Wedge. Inevitably perhaps participants want to claim these movements genuinely changed society and, while there are some reasonable claims about impact (with the anthemic ‘Free Nelson Mandela’ arguably the strongest), music and politics can’t coexist successfully for long. Did anything really change? Yes and no, but there are some great stories on the way and some great memories too. Slightly disappointed about the limited coverage of the Red Wedge shows in Edinburgh which I can remember distributing leaflets for but you can’t have everything.

 

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