Spring loaded

28 03 2020

Spring by Ali Smith

From the bestselling author of Autumn and Winter, as well as the Baileys Prize-winning How to be both, comes the next installment in the remarkable, once-in-a-generation masterpiece, the Seasonal Quartet

What unites Katherine Mansfield, Charlie Chaplin, Shakespeare, Rilke, Beethoven, Brexit, the present, the past, the north, the south, the east, the west, a man mourning lost times, a woman trapped in modern times?

Spring. The great connective.

With an eye to the migrancy of story over time, and riffing on Pericles, one of Shakespeare’s most resistant and rollicking works, Ali Smith tells the impossible tale of an impossible time. In a time of walls and lockdown Smith opens the door.

The time we’re living in is changing nature. Will it change the nature of story?

Hope springs eternal.

The third in the Seasonal Quartet from Ali Smith, this one follows Autumn and Winter; of course it does. There are some brilliant passages in here but the Periclean riffing rather passed me by. Some splendid polemic and spiky contemporary commentary hits the target but will possibly date rather quickly. Still, Smith writes so well that it is all worth it in the end.



Far from plain Jane

21 03 2020

Jane Eyre by Charlotte Brontë


Charlotte Brontë’s most beloved novel describes the passionate love between the courageous orphan Jane Eyre and the brilliant, brooding, and domineering Rochester. The loneliness and cruelty of Jane’s childhood strengthens her natural independence and spirit, which prove invaluable when she takes a position as a governess at Thornfield Hall. But after she falls in love with her sardonic employer, her discovery of his terrible secret forces her to make a heart-wrenching choice. Ever since its publication in 1847, Jane Eyre has enthralled every kind of reader, from the most critical and cultivated to the youngest and most unabashedly romantic. It lives as one of the great triumphs of storytelling and as a moving and unforgettable portrayal of a woman’s quest for self-respect.

It’s not really possible to do justice to this in a few lines but having read it again recently I was genuinely bowled over by the   brilliance of this wonderful novel. I clearly didn’t read it properly when I was younger as pretty much all of it seemed incredibly fresh and new. Anyway, just terrific. But you didn’t really need me to tell you that.

Out of the ruins

14 03 2020

The Ruins by Mat Osman


When Adam Kussgarten’s twin brother is found gunned down just yards from his flat, Adam is drawn out of his solitary, dream-like life into a neon-lit world of forgery, deceit and violence. The Ruins is the story of twin brothers – Adam and Brandon – who haven’t spoken for decades, When Brandon is found gunned down just streets from Adam’s flat, Brandon’s girlfriend enlists Adam to find out what he was doing there and who killed him. Shy, stuttering Adam finds himself caught up in his brother’s world of deception, violence and forgery. As things turn increasingly dark and his entanglements with his brother’s family grow, he’s faced with a choice of whether to dive deeper into Brandon’s world and risk losing himself, or turning his back on his future.

It’s the first novel from the famous Suede bassist and brother of arguably even more famous quizmaster Richard Osman and it is actually really rather good. The premise is a smart one, the musical context is very convincing and the plot is as winding as the streets in Adam’s model town. Overall an excellent and assured debut and an entertaining read from start to finish (although arguably not all the loose ends are tied up). A minor gripe is there are a few annoying typos, the most irritating is the use of ‘vociferously’ by one character for ‘voraciously’ which may have been an intentional error but very strange if so. Anyway, despite that tiny point, highly recommended.

four stars

Happy talk

7 03 2020

Me Talk Pretty One Day by David Sedaris


Anyone who has heard David Sedaris speaking live or on the radio will tell you that a collection from him is cause for jubilation. A move to Paris from New York inspired these hilarious pieces, including ‘Me Talk Pretty One Day’, about his attempts to learn French from a sadistic teacher who declares that ‘every day spent with you is like having a caesarean section’.

His family is another inspiration. ‘You Can’t Kill the Rooster’ is a portrait of his brother, who talks incessant hip-hop slang to his bewildered father. And no one hones a finer fury in response to such modern annoyances as restaurant meals presented in ludicrous towers of food and cashiers with six-inch fingernails.

Sedaris seems to have an endless supply of genuinely funny stories and observations about life. This compilation, in common with his previous works noted here –  Calypso  Let’s Explore Diabetes With Owls and his Diaries – is full of great stories, many of them relating to the author’s doomed efforts to learning French. And his dysfunctional family continues to offer a rich vein of material.  Lovely stuff as ever.

four stars

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