Damned annoying

15 06 2013

The Beautiful and Damned by F Scott Fitzgerald


Few writers have been as successful as F. Scott Fitzgerald in conveying autobiographical materials into literary art. The Beautiful and Damned transforms the now-familiar stories about F. Scott and Zelda Fitzgerald’s early marriage–the scandalous public behaviour, the nights of drunken revelry and days darkened by the ever-present shadow of insurmountable debt – into a captivating work of fiction.

Anthony Patch ‘one of those many with tastes and weaknesses of an artist but with no actual creative inspiration’ and the beautiful, flirtatious Gloria, are newly married. Anticipating an inheritance from Anthony’s family, they embrace a style of life far beyond their means. In chronicling their decline–moral, physical, and financial–and offering a grimly ironic twist at the end, Fitzgerald created a satirical yet poignant portrait of the generation he and his work would define, not only for his contemporaries, but for all future readers.

Swept up with all of the current Gatsby hype I thought I would catch up on a Fitzgerald I’d not read before (and there is only one definite article in the title despite what I had previously thought). It’s a long one and, as the blurb suggests, is clearly autobiographical in part. However, captivating it is not and really just feels like at time like an extended whinge about the awfulness of life when you have too much money, nothing useful to do and an overwhelming sense of entitlement. I found it impossible to feel any sympathy with any of the main characters and the decline in their fortunes matched the drop in my level of interest in the whole book. They may be beautiful but they really did deserve a damning assessment.

2 star


Really Great Gatsby

23 06 2010

The Great Gatsby by F Scott Fitzgerald

A portrait of the Jazz Age in all of its decadence and excess, Gatsby captured the spirit of the author’s generation and earned itself a permanent place in American mythology. Self-made, self-invented millionaire Jay Gatsby embodies some of Fitzgerald’s–and his country’s–most abiding obsessions: money, ambition, greed and the promise of new beginnings. “Gatsby believed in the green light, the orgiastic future that year by year recedes before us. It eluded us then, but that’s no matter–tomorrow we will run faster, stretch out our arms farther… And one fine morning–” Gatsby’s rise to glory and eventual fall from grace be comes a kind of cautionary tale about the American Dream.

It’s also a love story, of sorts, the narrative of Gatsby’s quixotic passion for Daisy Buchanan. The pair meet five years before the novel begins, when Daisy is a legendary young Louisville beauty and Gatsby an impoverished officer. They fall in love, but while Gatsby serves overseas, Daisy marries the brutal, bullying but extremely rich Tom Buchanan. After the war, Gatsby devotes himself blindly to the pursuit of wealth by whatever means–and to the pursuit of Daisy, which amounts to the same thing. “Her voice is full of money,” Gatsby says admiringly, in one of the novel’s more famous descriptions. His millions made, Gatsby buys a mansion across Long Island Sound from Daisy’s patrician East Egg address, throws lavish parties and waits for her to appear. When she does, events unfold with all the tragic inevitability of a Greek drama, with detached, cynical neighbour Nick Carraway acting as chorus throughout. Spare, elegantly plotted and written in crystalline prose, The Great Gatsby is as perfectly satisfying as the best kind of poem.

Jay Gatsby is the man who has everything. But one thing will always be out of his reach … Everybody who is anybody is seen at his glittering parties. Day and night his Long Island mansion buzzes with bright young things drinking, dancing and debating his mysterious character. For Gatsby – young, handsome, fabulously rich – always seems alone in the crowd, watching and waiting, though no one knows what for. Beneath the shimmering surface of his life he is hiding a secret: a silent longing that can never be fulfilled. And soon this destructive obsession will force his world to unravel.

The Amazon commentary makes it sound like a crass contemporary potboiler. However, it is just a terrific novel and quite outstanding. Hadn’t read it for a few years and hugely enjoyed re-reading.

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